Bradford on Avon Arts Festival 2017

July 9, 2017

Abegail Morley

Bradford on Avon Arts Festival 2017 – In association with Words & Ears

Flights of Fancy – Poetry Competition – Judge: Carrie Etter

Competition closing date: 30th July 2017


Poems of up to 20 lines are invited on the theme of Flights of Fancy (see full entry details, below). Shortlisted poets will be invited to read their entry at a prize-giving event at Bradford on Avon Arts Festival on Sunday September 17th, which will also feature a reading by competition judge Carrie Etter.

American expatriate Carrie Etter has published three collections: The Tethers (Seren, 2009), winner of the London New Poetry Award; Divining for Starters (Shearsman, 2011); and Imagined Sons (Seren, 2014), shortlisted for the Ted Hughes Award for New Work in Poetry by The Poetry Society. She also edited Infinite Difference: Other Poetries by UK Women Poets (Shearsman, 2010) and Linda Lamus’s posthumous collection, A Crater the Size of…

View original post 52 more words


Our Platform by Paige Collins

July 6, 2017

A visitor

July 4, 2017

Roy Marshall



He’s as unexpected
as royalty

on this river-less estate.
A rook sees him off

and I’m at a loss
to describe his going;

something about
a bike in the sky,

a ghost in an unbuttoned raincoat
late for a train.

From The Great Animator, (Shoestring Press 2017)

View original post

Manchester Cathedral Poetry Competition – closes June 30th

June 27, 2017

Profiles in Leadership – James Wolfe

June 17, 2017

Poetry Special – (September 2014 / 14.18)

June 17, 2017

Blue Fifth Review: Blue Five Notebook Series

Poetry Special – (September 2014 / 14.18)
Graphing by Claire IbarraGraphing by Claire Ibarra

Artist, Claire Ibarra’s fiction and creative nonfiction have appeared in numerous literary journals, including The MacGuffin, Natural Bridge, Boston Literary Magazine, Blink-Ink, Amoskeag, Foliate Oak, The Broken Plate, and BluePrint Review. She is also a contributor to the anthology An Honest Lie, Vol.2: Delusions of Insignificance by Open Heart Publishing and the upcoming anthology Dreams of Duality by Red Skies Press.


Laurie Kolp

Forbidden Fruit

I cradle time in arms of steel
your smile, your eyes, your hand in mine

crossing bridges, autumn leaves
a pile of clues I refused to see

the paws you dug beneath my shirt as shears,
breasted heaviness, your tongue.

I thought fruit signified love,
but you threw apples at my feet.

Laurie Kolp lives in Southeast Texas with her husband, three kids and…

View original post 976 more words

On giving feedback

June 15, 2017

Anthony Wilson

I found myself in the position of giving feedback to some writers recently. The writers were teachers who had signed up for two Master’s modules about writing. These comprised a critical look at how we teach writing, for which they needed to put together a research project evaluating their own practice via an analysis of pupils’ work; and a creative writing module consisting of a portfolio of creative pieces accompanied by a critical commentary. Guess which one I found harder to mark?

View original post 404 more words

A Short Analysis of Philip Larkin’s ‘Essential Beauty’

June 14, 2017

Source: A Short Analysis of Philip Larkin’s ‘Essential Beauty’

A Short Analysis of the ‘Humpty Dumpty’ Nursery Rhyme

June 8, 2017

Interesting Literature

The curious origins of a famous rhyme

Humpty Dumpty was originally a drink, then he became an egg in a nursery rhyme. Quite how this happened, nobody seems to know, but it did. The name ‘Humpty-dumpty’ was given to a drink of boiled ale and brandy in 1698, and that’s only the first known reference in print – the name is probably considerably older. By 1785, as Francis Grose recorded in his fascinating collection of contemporary slang, A Classical Dictionary of the Vulgar Tongue, the rhyming term had been applied to people, and was used specifically to describe a ‘short, dumpy, hump-shouldered person’ and, by extension, a clumsy person. But the words ‘Humpty-Dumpty’ mean one thing and one thing alone to most readers: an egg in the famous nursery rhyme which begins, ‘Humpty Dumpty sat on a wall’. What is the meaning of this little rhyme, and what are…

View original post 676 more words

“I’m not a city” and other poems by Kinga Fabó

June 7, 2017


The Transfiguration of the Word

Open, the sea appeared asleep.
Carrying its waves.
A pulse under the muted winter scene.
Throwing a smile on the beach.

A nun-spot on the hot little body.
A color on the broken glass.
A gesture that was once closed.
Lovely as the sea stood up.
Throwing a smile on the beach.

I wanted to remain an object.
But, no, immortality is not mine.
I am too strong to defend myself.
Waiting for punishment.

This and the same happened together.
Silently, I sat in the glass.
Only the spot wandered on the naked scene.
Sounds did not continue.

Only an omitted gesture.
Happiness like an unmoving dancer.
Beatings on naked, bony back.

And the sea will no longer be immortal.

Translated by Zsuzsanna Ozsváth and Martha Satz
‘The Transfiguration of the word ‘ was first published in Osiris, 1992, Fall issue


You are…

View original post 946 more words